Parte 3: Exercícios de Progressões Harmônicas

Início da Parte 3, focada em exercícios de progressões harmônicas.

Aqui estudaremos progressões modulantes formadas por acordes do mesmo tipo, seguindo princípios de harmonia da música popular.

I Tonalidades Maiores e Menores

a) tonalidades maiores

1) Tonalidades Maiores

I 7MV 7I 7M
C7MG7C7M
F7MC7F7M
Bb7MF7Bb7M
Eb7MBb7Eb7M
Ab7MEb7Ab7M
Db7MAb7Db7M
F#7MC#7F#7M
B7MF#7B7M
E7MB7E7M
A7ME7A7M
D7MA7D7M
G7MD7G7M

3) Tonalidades Maiores (I-IV-V-I)

I 7MIV 7MV 7I 7M
C7MF7MG7C7M
F7MBb7MC7F7M
Bb7MEb7MF7Bb7M
Eb7MAb7MBb7Eb7M
Ab7MDb7MEb7Ab7M
Db7MGb7MAb7Db7M
F#7MB7MC#7F#7M
B7ME7MF#7B7M
E7MA7MB7E7M
A7MD7ME7A7M
D7MG7MA7D7M
G7MC7MD7G7M

4) Tonalidades Maiores (I-IIm7-I)

I 7MII m7I 7M
C7MDm7C7M
F7MGm7F7M
Bb7MCm7Bb7M
Eb7MFm7Eb7M
Ab7MBbm7Ab7M
C#7MD#m7C#7M
F#7MG#m7F#7M
B7MC#m7B7M
E7MF#m7E7M
A7MBm7A7M
D7MEm7D7M
G7MAm7G7M

5) Tonalidades Maiores (I-IV-I)

I 7MIV 7MI 7M
C7MF7MC7M
F7MBb7MF7M
Bb7MEb7MBb7M
Eb7MAb7MEb7M
Ab7MDb7MAb7M
Db7MGb7MDb7M
F#7MB7MF#7M
B7ME7MF#7M
E7MA7MF#7M
A7MD7MA7M
D7MG7MA7M
G7MC7MG7M

b) tonalidades menores

1) Tonalidades Menores (Im7-V7(b9)-Im7)

I m7V 7(b9)I m7
Cm7G7(b9)Cm7
Fm7C7(b9)Fm7
Bbm7F7(b9)Bbm7
Ebm7Bb7(b9)Ebm7
G#m7D#7(b9)G#m7
C#m7G#7(b9)C#m7
F#m7C#7(b9)F#m7
Bm7F#7(b9)Bm7
Em7B7(b9)Em7
Am7E7(b9)Am7
Dm7A7(b9)Dm7
Gm7D7(b9)Gm7

2) Tonalidades Menores (Im7-IIm7(b5)-Im7)

I m7II m7(b5)I m7
Cm7Dm7(b5)Cm7
Fm7Gm7(b5)Fm7
Bbm7Cm7(b5)Bbm7
Ebm7Fm7(b5)Ebm7
G#m7A#m7(b5)G#m7
C#m7D#m7(b5)C#m7
F#m7G#m7(b5)F#m7
Bm7C#m7(b5)Bm7
Em7F#m7(b5)Em7
Am7Bm7(b5)Am7
Dm7Em7(b5)Dm7
Gm7Am7(b5)Gm7

3) Tonalidades Menores (Im7-IIm7(b5)-V7(b9)-Im7)

I m7II m7(b5)V 7(b9)I m7
Cm7Dm7(b5)G7(b9)Cm7
Fm7Gm7(b5)C7(b9)Fm7
Bbm7Cm7(b5)F7(b9)Bbm7
Ebm7Fm7(b5)Bb7(b9)Ebm7
G#m7A#m7(b5)D#7(b9)G#m7
C#m7D#m7(b5)G#7(b9)C#m7
F#m7G#m7(b5)C#7(b9)F#m7
Bm7C#m7(b5)F#7(b9)Bm7
Em7F#m7(b5)B7(b9)Em7
Am7Bm7(b5)E7(b9)Am7
Dm7Em7(b5)A7(b9)Dm7
Gm7Am7(b5)D7(b9)Gm7

4) Tonalidades Menores (Im7-IVm7-Im7)

I m7IV m7I m7
Cm7Fm7Cm7
Fm7Bbm7Fm7
Bbm7Ebm7Bbm7
Ebm7Abm7Ebm7
G#m7C#m7G#m7
C#m7F#m7C#m7
F#m7Bm7F#m7
Bm7Em7Bm7
Em7Am7Em7
Am7Dm7Am7
Dm7Gm7Dm7
Gm7Cm7Gm7

6) Tonalidades Menores (Im7-bVI7M-Im7)

I m7bVI 7MI m7
Cm7Ab7MCm7
Fm7Db7MFm7
Bbm7Gb7MBbm7
D#m7B7MD#m7
G#m7E7MG#m7
C#m7A7MC#m7
F#m7D7MF#m7
Bm7G7MBm7
Em7C7MEm7
Am7F7MAm7
Dm7Bb7MDm7
Gm7Eb7MGm7

7) Tonalidades Menores (Im7-bVI7M-V7(b9)-Im7)

I m7bVI 7MV 7(b9)I m7
Cm7Ab7MG7(b9)Cm7
Fm7Db7MC7(b9)Fm7
Bbm7Gb7MF7(b9)Bbm7
D#m7B7MA#7(b9)D#m7
G#m7E7MD#7(b9)G#m7
C#m7A7MG#7(b9)C#m7
F#m7D7MC#7(b9)F#m7
Bm7G7MF#7(b9)Bm7
Em7C7MB7(b9)Em7
Am7F7ME7(b9)Am7
Dm7Bb7MA7(b9)Dm7
Gm7Eb7MD7(b9)Gm7

8) Tonalidades Menores (Im7-bVI7M-IIm7(b5)-V7(b9)-Im7)

I m7bVI 7MII m7(b5)V 7(b9)I m7
Cm7Ab7MDm7(b5)G7(b9)Cm7
Fm7Db7MGm7(b5)C7(b9)Fm7
Bbm7Gb7MCm7(b5)F7(b9)Bbm7
D#m7B7MFm7(b5)A#7(b9)D#m7
G#m7E7MA#m7(b5)D#7(b9)G#m7
C#m7A7MD#m7(b5)G#7(b9)C#m7
F#m7D7MG#m7(b5)C#7(b9)F#m7
Bm7G7MC#m7(b5)F#7(b9)Bm7
Em7C7MF#m7(b5)B7(b9)Em7
Am7F7MBm7(b5)E7(b9)Am7
Dm7Bb7MEm7(b5)A7(b9)Dm7
Gm7Eb7MAm7(b5)D7(b9)Gm7

10) Tonalidades Menores (Im7-bIII7M-Im7)

I m7bIII 7MI m7
Cm7Eb7MCm7
Fm7Ab7MFm7
Bbm7Db7MBbm7
Ebm7Gb7MEbm7
G#m7B7MG#m7
C#m7E7MC#m7
F#m7A7MF#m7
Bm7D7MBm7
Em7G7MEm7
Am7C7MAm7
Dm7F7MDm7
Gm7Bb7MGm7

11) Tonalidades Menores (Im7-bIII7M-V7(b9)-Im7)

I m7bIII 7MV 7(b9)I m7
Cm7Eb7MG7(b9)Cm7
Fm7Ab7MC7(b9)Fm7
Bbm7Db7MF7(b9)Bbm7
Ebm7Gb7MBb7(b9)Ebm7
G#m7B7MD#7(b9)G#m7
C#m7E7MG#7(b9)C#m7
F#m7A7MC#7(b9)F#m7
Bm7D7MF#7(b9)Bm7
Em7G7MB7(b9)Em7
Am7C7ME7(b9)Am7
Dm7F7MA7(b9)Dm7
Gm7Bb7MD7(b9)Gm7

12) Tonalidades Menores (Im7-bIII7M-IIm7(b5)-V7(b9)-Im7)

I m7bIII 7MII m7(b5)V 7(b9)I m7
Cm7Eb7MDm7(b5)G7(b9)Cm7
Fm7Ab7MGm7(b5)C7(b9)Fm7
Bbm7Db7MCm7(b5)F7(b9)Bbm7
Ebm7Gb7MFm7(b5)Bb7(b9)Ebm7
G#m7B7MA#m7(b5)D#7(b9)G#m7
C#m7E7MD#m7(b5)G#7(b9)C#m7
F#m7A7MG#m7(b5)C#7(b9)F#m7
Bm7D7MC#m7(b5)F#7(b9)Bm7
Em7G7MF#m7(b5)B7(b9)Em7
Am7C7MBm7(b5)E7(b9)Am7
Dm7F7MEm7(b5)A7(b9)Dm7
Gm7Bb7MAm7(b5)D7(b9)Gm7

13) Tonalidades Menores (Im7-bIII7M-IVm7-V7(b9)-Im7)

I m7bIII 7MIV m7V 7(b9)I m7
Cm7Eb7MFm7G7(b9)Cm7
Fm7Ab7MBbm7C7(b9)Fm7
Bbm7Db7MEbm7F7(b9)Bbm7
Ebm7Gb7MAbm7Bb7(b9)Ebm7
G#m7B7MC#m7D#7(b9)G#m7
C#m7E7MF#m7G#7(b9)C#m7
F#m7A7MBm7C#7(b9)F#m7
Bm7D7MEm7F#7(b9)Bm7
Em7G7MAm7B7(b9)Em7
Am7C7MDm7E7(b9)Am7
Dm7F7MGm7A7(b9)Dm7
Gm7Bb7MCm7D7(b9)Gm7

II Progressões Mostrando os Dominantes Individuais (Secundários)

a) tonalidades maiores

1) Tonalidades Maiores (I7M-V7-V7-I7M)

I 7MV 7V 7I 7M
C7MD7G7C7M
F7MG7C7F7M
Bb7MC7F7Bb7M
Eb7MF7Bb7Eb7M
Ab7MBb7Eb7Ab7M
Db7MEb7Ab7Db7M
F#7MG#7C#7F#7M
B7MC#7F#7B7M
E7MF#7B7E7M
A7MB7E7A7M
D7ME7A7D7M
G7MA7D7G7M

2) Tonalidades Maiores (I7M-V7(b13)-IIm7-V7(#5)-I7M)

I 7MV 7(b13)II m7V 7(#5)I 7M
C7MA7(b13)Dm7G7(#5)C7M
F7MD7(b13)Gm7C7(#5)F7M
Bb7MG7(b13)Cm7F7(#5)Bb7M
Eb7MC7(b13)Fm7Bb7(#5)Eb7M
Ab7MF7(b13)Bbm7Eb7(#5)Ab7M
Db7MBb7(b13)Ebm7Ab7(#5)Db7M
F#7MD#7(b13)G#m7C#7(#5)F#7M
B7MG#7(b13)C#m7F#7(#5)B7M
E7MC#7(b13)F#m7B7(#5)E7M
A7MF#7(b13)Bm7E7(#5)A7M
D7MB7(b13)Em7A7(#5)D7M
G7ME7(b13)Am7D7(#5)G7M

3) Tonalidades Maiores (I7M-V7-IV7M-V7-I7M)

I 7MV 7IV 7MV 7I 7M
C7MC7F7MG7C7M
F7MF7Bb7MC7F7M
Bb7MBb7Eb7MF7Bb7M
Eb7MEb7Ab7MBb7Eb7M
Ab7MAb7Db7MEb7Ab7M
Db7MDb7Gb7MAb7Db7M
F#7MF#7B7MC#7F#7M
B7MB7E7MF#7B7M
E7ME7A7MB7E7M
A7MA7D7ME7A7M
D7MD7G7MA7D7M
G7MG7C7MD7G7M

4) Tonalidades Maiores (I7M-V7-VIm7-V7-I7M)

I 7MV 7VI m7V 7I 7M
C7ME7Am7G7C7M
F7MA7Dm7C7F7M
Bb7MD7Gm7F7Bb7M
Eb7MG7Cm7Bb7Eb7M
Ab7MC7Fm7Eb7Ab7M
Db7MF7Bbm7Ab7Db7M
F#7MA#7D#m7C#7F#7M
B7MD#7G#m7F#7B7M
E7MG#7C#m7B7E7M
A7MC#7F#m7E7A7M
D7MF#7Bm7A7D7M
G7MB7Em7D7G7M

b) tonalidades menores

1) Tonalidades Menores (Im7-V7-V7-Im7)

I m7V 7V 7I m7
Cm7D7G7(b9)Cm7
Fm7G7C7(b9)Fm7
Bbm7C7F7(b9)Bbm7
Ebm7F7Bb7(b9)Ebm7
G#m7A#7D#7(b9)G#m7
C#m7D#7G#7(b9)C#m7
F#m7G#7C#7(b9)F#m7
Bm7C#7F#7(b9)Bm7
Em7F#7B7(b9)Em7
Am7B7E7(b9)Am7
Dm7E7A7(b9)Dm7
Gm7A7D7(b9)Gm7

2) Tonalidades Menores (Im7-V7(b13)-IVm7-V7(b9)-Im7)

I m7V 7(b13)IV m7V 7(b9)I m7
Cm7A7(b13)Fm7G7(b9)Cm7
Fm7D7(b13)Bbm7C7(b9)Fm7
Bbm7G7(b13)Ebm7F7(b9)Bbm7
Ebm7C7(b13)Abm7Bb7(b9)Ebm7
G#m7F7(b13)C#m7D#7(b9)G#m7
C#m7Bb7(b13)F#m7G#7(b9)C#m7
F#m7D#7(b13)Bm7C#7(b9)F#m7
Bm7G#7(b13)Em7F#7(b9)Bm7
Em7C#7(b13)Am7B7(b9)Em7
Am7F#7(b13)Dm7E7(b9)Am7
Dm7B7(b13)Gm7A7(b9)Dm7
Gm7E7(b13)Cm7D7(b9)Gm7

3) Tonalidades Menores (Im7-V7-bVI7M-V7-Im7)

I m7V 7bVI 7MV 7I m7
Cm7F7Ab7MG7(b9)Cm7
Fm7Bb7Db7MC7(b9)Fm7
Bbm7Eb7Gb7MF7(b9)Bbm7
Ebm7Ab7B7MBb7(b9)Ebm7
G#m7C#7E7MD#7(b9)G#m7
C#m7F#7A7MG#7(b9)C#m7
F#m7B7D7MC#7(b9)F#m7
Bm7E7G7MF#7(b9)Bm7
Em7A7C7MB7(b9)Em7
Am7D7F7ME7(b9)Am7
Dm7G7Bb7MA7(b9)Dm7
Gm7C7Eb7MD7(b9)Gm7

4) Tonalidades Menores (Im7-V7-bIII7M-V7-Im7)

I m7V 7bIII 7MV 7I m7
Cm7Bb7Eb7MG7(b9)Cm7
Fm7Eb7Ab7MC7(b9)Fm7
Bbm7Ab7Db7MF7(b9)Bbm7
Ebm7Db7Gb7MBb7(b9)Ebm7
G#m7F#7B7MD#7(b9)G#m7
C#m7B7E7MG#7(b9)C#m7
F#m7E7A7MC#7(b9)F#m7
Bm7A7D7MF#7(b9)Bm7
Em7G7G7MB7(b9)Em7
Am7G7C7ME7(b9)Am7
Dm7C7F7MA7(b9)Dm7
Gm7F7Bb7MD7(b9)Gm7

III Progressões Mostrando os Dominantes Estendidos

a) tonalidades maiores

1) Tonalidades Maiores (I7M-III7-VI7-II7-V7-I7M)

I 7MIII 7VI 7II 7V 7I 7M
C7ME7A7D7G7C7M
F7MA7D7G7C7F7M
Bb7MD7G7C7F7Bb7M
Eb7MG7C7F7Bb7Eb7M
Ab7MC7F7Bb7Eb7Ab7M
Db7MF7Bb7Eb7Ab7Db7M
F#7MA#7D#7G#7C#7F#7M
B7MD#7G#7C#7F#7B7M
E7MG#7C#7F#7B7E7M
A7MC#7F#7B7E7A7M
D7MF#7B7E7A7D7M
G7MB7E7A7D7G7M

2) Tonalidades Maiores (I7M-VI7-II7-V7-I7M)

I 7MVI 7II 7V 7I 7M
C7MA7D7G7C7M
F7MD7G7C7F7M
Bb7MG7C7F7Bb7M
Eb7MC7F7Bb7Eb7M
Ab7MF7Bb7Eb7Ab7M
Db7MBb7Eb7Ab7Db7M
F#7MD#7G#7C#7F#7M
B7MG#7C#7F#7B7M
E7MC#7F#7B7E7M
A7MF#7B7E7A7M
D7MB7E7A7D7M
G7ME7A7D7G7M

3) Tonalidades Maiores (I7M-VII7-III7-VI7-II7-V7-I7M)

I 7MVII 7III 7VI 7II 7V 7I 7M
C7MB7E7A7D7G7C7M
F7ME7A7D7G7C7F7M
Bb7MA7D7G7C7F7Bb7M
Eb7MD7G7C7F7Bb7Eb7M
Ab7MG7C7F7Bb7Eb7Ab7M
Db7MC7F7Bb7Eb7Ab7Db7M
F#7MF7A#7D#7G#7C#7F#7M
B7MA#7D#7G#7C#7F#7B7M
E7MD#7G#7C#7F#7B7E7M
A7MG#7C#7F#7B7E7A7M
D7MC#7F#7B7E7A7D7M
G7MF#7B7E7A7D7G7M

b) tonalidades menores

1) Tonalidades Menores (Im7-III7-VI7-II7-V7-Im7)

I m7III 7VI 7II 7V 7I m7
Cm7E7A7D7G7(b9)Cm7
Fm7A7D7G7C7(b9)Fm7
Bbm7D7G7C7F7(b9)Bbm7
Ebm7G7C7F7Bb7(b9)Ebm7
G#m7B#7E#7A#7D#7(b9)G#m7
C#m7E#7A#7D#7G#7(b9)C#m7
F#m7A#7D#7G#7C#7(b9)F#m7
Bm7D#7G#7C#7F#7(b9)Bm7
Em7G#7C#7F#7B7(b9)Em7
Am7C#7F#7B7E7(b9)Am7
Dm7F#7B7E7A7(b9)Dm7
Gm7B7E7A7D7(b9)Gm7

2) Tonalidades Menores (Im7-VI7-II7-V7-Im7)

I m7VI 7II 7V 7I m7
Cm7A7D7G7(b9)Cm7
Fm7D7G7C7(b9)Fm7
Bbm7G7C7F7(b9)Bbm7
Ebm7C7F7Bb7(b9)Ebm7
G#m7E#7A#7D#7(b9)G#m7
C#m7A#7D#7G#7(b9)C#m7
F#m7D#7G#7C#7(b9)F#m7
Bm7G#7C#7F#7(b9)Bm7
Em7C#7F#7B7(b9)Em7
Am7F#7B7E7(b9)Am7
Dm7B7E7A7(b9)Dm7
Gm7E7A7D7(b9)Gm7

3) Tonalidades Menores (Im7-VII7-III7-VI7-II7-V7-Im7)

I m7VII 7III 7VI 7II 7V 7I m7
Cm7B7E7A7D7G7(b9)Cm7
Fm7E7A7D7G7C7(b9)Fm7
Bbm7A7D7G7C7F7(b9)Bbm7
Ebm7D7G7C7F7Bb7(b9)Ebm7
G#m7F#7B#7E#7A#7D#7(b9)G#m7
C#m7B7E#7A#7D#7G#7(b9)C#m7
F#m7E7A#7D#7G#7C#7(b9)F#m7
Bm7A7D#7G#7C#7F#7(b9)Bm7
Em7G7G#7C#7F#7B7(b9)Em7
Am7G7C#7F#7B7E7(b9)Am7
Dm7C7F#7B7E7A7(b9)Dm7
Gm7F7B7E7A7D7(b9)Gm7

IV Progressões Mostrando os Dominantes Substitutos (SubV7)

a) tonalidades maiores

1) Tonalidades Maiores (I7M-SubV7-I7M)

I 7MSubV 7I 7M
C7MDb7C7M
F7MGb7F7M
Bb7MB7Bb7M
Eb7ME7Eb7M
Ab7MA7Ab7M
Db7MD7Db7M
F#7MG7F#7M
B7MC7B7M
E7MF7E7M
A7MBb7A7M
D7MEb7D7M
G7MAb7G7M

2) Tonalidades Maiores (I7M-SubV7-IIm7-V7-I7M)

I 7MSubV 7II m7V 7I 7M
C7MBb7Dm7G7C7M
F7MEb7Gm7C7F7M
Bb7MAb7Cm7F7Bb7M
Eb7MDb7Fm7Bb7Eb7M
Ab7MGb7Bbm7Eb7Ab7M
Db7MB7Ebm7Ab7Db7M
F#7ME7G#m7C#7F#7M
B7MA7C#m7F#7B7M
E7MD7F#m7B7E7M
A7MG7Bm7E7A7M
D7MC7Em7A7D7M
G7MF7Am7D7G7M

3) Tonalidades Maiores (I7M-SubV7-IV7M-V7-I7M)

I 7MSubV 7IV 7MV 7I 7M
C7MDb7F7MG7C7M
F7MGb7Bb7MC7F7M
Bb7MB7Eb7MF7Bb7M
Eb7ME7Ab7MBb7Eb7M
Ab7MA7Db7MEb7Ab7M
Db7MD7Gb7MAb7Db7M
F#7MG7B7MC#7F#7M
B7MC7E7MF#7B7M
E7MF7A7MB7E7M
A7MBb7D7ME7A7M
D7MEb7G7MA7D7M
G7MAb7C7MD7G7M

4) Tonalidades Maiores (I7M-SubV7-VIm7-V7-I7M)

I 7MSubV 7VI m7V 7I 7M
C7MBb7Am7G7C7M
F7MEb7Dm7C7F7M
Bb7MAb7Gm7F7Bb7M
Eb7MDb7Cm7Bb7Eb7M
Ab7MGb7Fm7Eb7Ab7M
Db7MB7Bbm7Ab7Db7M
F#7ME7D#m7C#7F#7M
B7MA7G#m7F#7B7M
E7MD7C#m7B7E7M
A7MG7F#m7E7A7M
D7MC7Bm7A7D7M
G7MF7Em7D7G7M

b) tonalidades menores

1) Tonalidades Menores (Im7-SubV7-Im7)

I m7SubV 7I m7
Cm7Db7Cm7
Fm7Gb7Fm7
Bbm7B7Bbm7
Ebm7E7Ebm7
G#m7A7G#m7
C#m7D7C#m7
F#m7G7F#m7
Bm7C7Bm7
Em7F7Em7
Am7Bb7Am7
Dm7Eb7Dm7
Gm7Ab7Gm7

2) Tonalidades Menores (Im7-SubV7-IVm7-V7(b9)-Im7)

I m7SubV 7IV m7V 7(b9)I m7
Cm7Bb7Fm7G7(b9)Cm7
Fm7Eb7Bbm7C7(b9)Fm7
Bbm7Ab7Ebm7F7(b9)Bbm7
Ebm7Gb7Abm7Bb7(b9)Ebm7
G#m7B7C#m7D#7(b9)G#m7
C#m7E7F#m7G#7(b9)C#m7
F#m7A7Bm7C#7(b9)F#m7
Bm7D7Em7F#7(b9)Bm7
Em7G7Am7B7(b9)Em7
Am7C7Dm7E7(b9)Am7
Dm7F7Gm7A7(b9)Dm7
Gm7Bb7Cm7D7(b9)Gm7

3) Tonalidades Menores (Im7-SubV7-bVI7M-V7(b9)-Im7)

I m7SubV 7bVI 7MV 7(b9)I m7
Cm7Db7Ab7MG7(b9)Cm7
Fm7Gb7Db7MC7(b9)Fm7
Bbm7B7Gb7MF7(b9)Bbm7
Ebm7E7B7MBb7(b9)Ebm7
G#m7A7E7MD#7(b9)G#m7
C#m7D7A7MG#7(b9)C#m7
F#m7G7D7MC#7(b9)F#m7
Bm7C7G7MF#7(b9)Bm7
Em7F7C7MB7(b9)Em7
Am7Bb7F7ME7(b9)Am7
Dm7Eb7Bb7MA7(b9)Dm7
Gm7Ab7Eb7MD7(b9)Gm7

4) Tonalidades Menores (Im7-SubV7-bIII7M-V7(b9)-Im7)

I m7SubV 7bIII 7MV 7(b9)I m7
Cm7Bb7Eb7MG7(b9)Cm7
Fm7Ab7Ab7MC7(b9)Fm7
Bbm7Db7Db7MF7(b9)Bbm7
Ebm7Gb7Gb7MBb7(b9)Ebm7
G#m7B7B7MD#7(b9)G#m7
C#m7E7E7MG#7(b9)C#m7
F#m7A7A7MC#7(b9)F#m7
Bm7D7D7MF#7(b9)Bm7
Em7G7G7MB7(b9)Em7
Am7C7C7ME7(b9)Am7
Dm7F7F7MA7(b9)Dm7
Gm7Bb7Bb7MD7(b9)Gm7

V Progressões Mostrando os Dominantes Substitutos Estendidos

a) tonalidades maiores

1) Tonalidades Maiores (I7M-bIII7-bVI7-bII7-I7M)

I 7MbIII 7bVI 7bII 7I 7M
C7MEb7Ab7Db7C7M
F7MAb7Db7Gb7F7M
Bb7MDb7Gb7B7Bb7M
Eb7MGb7B7E7Eb7M
Ab7MB7E7A7Ab7M
Db7ME7A7D7Db7M
F#7MA7D7G7F#7M
B7MD7G7C7B7M
E7MG7C7F7E7M
A7MC7F7Bb7A7M
D7MF7Bb7Eb7D7M
G7MBb7Eb7Ab7G7M

2) Tonalidades Maiores (I7M-bVI7-bII7-I7M)

I 7MbVI 7bII 7I 7M
C7MAb7Db7C7M
F7MDb7Gb7F7M
Bb7MGb7B7Bb7M
Eb7MB7E7Eb7M
Ab7ME7A7Ab7M
Db7MA7D7Db7M
F#7MD7G7F#7M
B7MG7C7B7M
E7MC7F7E7M
A7MF7Bb7A7M
D7MBb7Eb7D7M
G7MEb7Ab7G7M

3) Tonalidades Maiores (I7M-bVII7-bIII7-bVI7-bII7-I7M)

I 7MbVII 7bIII 7bVI 7bII 7I 7M
C7MBb7Eb7Ab7Db7C7M
F7MEb7Ab7Db7Gb7F7M
Bb7MAb7Db7Gb7B7Bb7M
Eb7MDb7Gb7B7E7Eb7M
Ab7MGb7B7E7A7Ab7M
Db7MB7E7A7D7Db7M
F#7ME7A7D7G7F#7M
B7MA7D7G7C7B7M
E7MD7G7C7F7E7M
A7MG7C7F7Bb7A7M
D7MC7F7Bb7Eb7D7M
G7MF7Bb7Eb7Ab7G7M

b) tonalidades menores

1) Tonalidades Menores (Im7-bIII7-bVI7-bII7-Im7)

I m7bIII 7bVI 7bII 7I m7
Cm7Eb7Ab7Db7Cm7
Fm7Ab7Db7Gb7Fm7
Bbm7Db7Gb7B7Bbm7
Ebm7Gb7B7E7Ebm7
G#m7B7E7A7G#m7
C#m7E7A7D7C#m7
F#m7A7D7G7F#m7
Bm7D7G7C7Bm7
Em7G7C7F7Em7
Am7C7F7Bb7Am7
Dm7F7Bb7Eb7Dm7
Gm7Bb7Eb7Ab7Gm7

2) Tonalidades Menores (Im7-bVI7-bII7-Im7)

I m7bVI 7bII 7I m7
Cm7Ab7Db7Cm7
Fm7Db7Gb7Fm7
Bbm7Gb7B7Bbm7
Ebm7B7E7Ebm7
G#m7E7A7G#m7
C#m7A7D7C#m7
F#m7D7G7F#m7
Bm7G7C7Bm7
Em7C7F7Em7
Am7F7Bb7Am7
Dm7Bb7Eb7Dm7
Gm7Eb7Ab7Gm7

3) Tonalidades Menores (Im7-bVII7-bIII7-bVI7-bII7-Im7)

I m7bVII 7bIII 7bVI 7bII 7I m7
Cm7Bb7Eb7Ab7Db7Cm7
Fm7Eb7Ab7Db7Gb7Fm7
Bbm7Ab7Db7Gb7B7Bbm7
Ebm7Db7Gb7B7E7Ebm7
G#m7Gb7B7E7A7G#m7
C#m7B7E7A7D7C#m7
F#m7E7A7D7G7F#m7
Bm7A7D7G7C7Bm7
Em7D7G7C7F7Em7
Am7G7C7F7Bb7Am7
Dm7C7F7Bb7Eb7Dm7
Gm7F7Bb7Eb7Ab7Gm7

VI Progressões Mostrando os Acordes de Empréstimo Modal (A.E.M.)

a) tonalidades maiores

1) Tonalidades Maiores (I7M-IVm7-I7M)

I 7MIV m7I 7M
C7MFm7C7M
F7MBbm7F7M
Bb7MEbm7Bb7M
Eb7MAbm7Eb7M
Ab7MDbm7Ab7M
Db7MGbm7Db7M
F#7MBm7F#7M
B7MEm7B7M
E7MAm7E7M
A7MDm7A7M
D7MGm7D7M
G7MCm7G7M

2) Tonalidades Maiores (I7M-bVI7M-I7M)

I 7MbVI 7MI 7M
C7MAb7MC7M
F7MDb7MF7M
Bb7MGb7MBb7M
Eb7MB7MEb7M
Ab7ME7MAb7M
Db7MA7MDb7M
F#7MD7MF#7M
B7MG7MB7M
E7MC7ME7M
A7MF7MA7M
D7MBb7MD7M
G7MEb7MG7M

3) Tonalidades Maiores (I7M-bIII7M-I7M)

I 7MbIII 7MI 7M
C7MEb7MC7M
F7MAb7MF7M
Bb7MDb7MBb7M
Eb7MGb7MEb7M
Ab7MB7MAb7M
Db7ME7MDb7M
F#7MA7MF#7M
B7MD7MB7M
E7MG7ME7M
A7MC7MA7M
D7MF7MD7M
G7MBb7MG7M

4) Tonalidades Maiores (I7M-bVII7M-I7M)

I 7MbVII 7MI 7M
C7MBb7MC7M
F7MEb7MF7M
Bb7MAb7MBb7M
Eb7MDb7MEb7M
Ab7MGb7MAb7M
Db7MB7MDb7M
F#7ME7MF#7M
B7MA7MB7M
E7MD7ME7M
A7MG7MA7M
D7MC7MD7M
G7MF7MG7M

5) Tonalidades Maiores (I7M-IIm7(b5)-V7-I7M)

I 7MII m7(b5)V 7I 7M
C7MDm7(b5)G7C7M
F7MGm7(b5)C7F7M
Bb7MCm7(b5)F7Bb7M
Eb7MFm7(b5)Bb7Eb7M
Ab7MBbm7(b5)Eb7Ab7M
Db7MEbm7(b5)Ab7Db7M
F#7MG#m7(b5)C#7F#7M
B7MC#m7(b5)F#7B7M
E7MF#m7(b5)B7E7M
A7MBm7(b5)E7A7M
D7MEm7(b5)A7D7M
G7MAm7(b5)D7G7M

6) Tonalidades Maiores (I7M-IVm6-I7M)

I 7MIV m6I 7M
C7MFm6C7M
F7MBbm6F7M
Bb7MEbm6Bb7M
Eb7MAbm6Eb7M
Ab7MDbm6Ab7M
Db7MGbm6Db7M
F#7MBm6F#7M
B7MEm6B7M
E7MAm6E7M
A7MDm6A7M
D7MGm6D7M
G7MCm6G7M

b) tonalidades menores

1) Tonalidades Menores (Im7-IV7-Im7)

I m7IV 7I m7
Cm7F7Cm7
Fm7Bb7Fm7
Bbm7Eb7Bbm7
Ebm7Ab7Ebm7
G#m7C#7G#m7
C#m7F#7C#m7
F#m7B7F#m7
Bm7E7Bm7
Em7A7Em7
Am7D7Am7
Dm7G7Dm7
Gm7C7Gm7

2) Tonalidades Menores (Im7-II7-Im7)

I m7II 7I m7
Cm7D7Cm7
Fm7G7Fm7
Bbm7C7Bbm7
Ebm7F7Ebm7
G#m7A#7G#m7
C#m7D#7C#m7
F#m7G#7F#m7
Bm7C#7Bm7
Em7F#7Em7
Am7B7Am7
Dm7E7Dm7
Gm7A7Gm7

3) Tonalidades Menores (Im7-VI7M-Im7)

I m7VI 7MI m7
Cm7A7MCm7
Fm7D7MFm7
Bbm7G7MBbm7
Ebm7C7MEbm7
G#m7F7MG#m7
C#m7A#7MC#m7
F#m7D#7MF#m7
Bm7G#7MBm7
Em7C#7MEm7
Am7F#7MAm7
Dm7B7MDm7
Gm7E7MGm7

4) Tonalidades Menores (Im7-III7M-Im7)

I m7III 7MI m7
Cm7E7MCm7
Fm7A7MFm7
Bbm7D7MBbm7
Ebm7Gb7MEbm7
G#m7B7MG#m7
C#m7E7MC#m7
F#m7A7MF#m7
Bm7D7MBm7
Em7G7MEm7
Am7C7MAm7
Dm7F7MDm7
Gm7Bb7MGm7

5) Tonalidades Menores (Im7-VII7M-Im7)

I m7VII 7MI m7
Cm7B7MCm7
Fm7E7MFm7
Bbm7A7MBbm7
Ebm7D7MEbm7
G#m7G7MG#m7
C#m7C7MC#m7
F#m7F7MF#m7
Bm7A#7MBm7
Em7D#7MEm7
Am7G#7MAm7
Dm7C#7MDm7
Gm7F#7MGm7

VII Progressões Mostrando os Acordes Diminutos

a) tonalidades maiores

1) Tonalidades Maiores (I7M-#Idim-IIm7)

I 7M#I dimII m7
C7MC#dimDm7
F7MF#dimGm7
Bb7MBdimCm7
Eb7MEdimFm7
Ab7MAdimBbm7
Db7MDdimEbm7
F#7MGdimG#m7
B7MCdimC#m7
E7MFdimF#m7
A7MBbdimBm7
D7MEbdimEm7
G7MAbdimAm7

2) Tonalidades Maiores (I7M-#IIdim-IIIm7)

I 7M#II dimIII m7
C7MD#dimEm7
F7MG#dimAm7
Bb7MC#dimDm7
Eb7MF#dimGm7
Ab7MBdimCm7
Db7MEdimFm7
F#7MAdimA#m7
B7MDdimD#m7
E7MGdimG#m7
A7MCdimC#m7
D7MFdimF#m7
G7MBbdimBm7

3) Tonalidades Maiores (I7M-#IVdim-V7-I7M)

I 7M#IV dimV 7I 7M
C7MF#dimG7C7M
F7MBdimC7F7M
Bb7MEdimF7Bb7M
Eb7MAdimBb7Eb7M
Ab7MDdimEb7Ab7M
Db7MGdimAb7Db7M
F#7MCdimC#7F#7M
B7MFdimF#7B7M
E7MBbdimB7E7M
A7MEbdimE7A7M
D7MAbdimA7D7M
G7MC#dimD7G7M

4) Tonalidades Maiores (I7M-bIIIdim-IIm7-V7-I7M)

I 7MbIII dimII m7V 7I 7M
C7MEbdimDm7G7C7M
F7MAbdimGm7C7F7M
Bb7MDbdimCm7F7Bb7M
Eb7MGbdimFm7Bb7Eb7M
Ab7MBdimBbm7Eb7Ab7M
Db7MEdimEbm7Ab7Db7M
F#7MAdimG#m7C#7F#7M
B7MDdimC#m7F#7B7M
E7MGdimF#m7B7E7M
A7MCdimBm7E7A7M
D7MFdimEm7A7D7M
G7MBbdimAm7D7G7M

b) tonalidades menores

1) Tonalidades Menores (Im7-bIIdim-Im7)

I m7bII dimI m7
Cm7DbdimCm7
Fm7GbdimFm7
Bbm7BdimBbm7
Ebm7EdimEbm7
G#m7AdimG#m7
C#m7DdimC#m7
F#m7GdimF#m7
Bm7CdimBm7
Em7FdimEm7
Am7BbdimAm7
Dm7EbdimDm7
Gm7AbdimGm7

2) Tonalidades Menores (Im7-#IVdim-V7(b9)-Im7)

I m7#IV dimV 7(b9)I m7
Cm7F#dimG7(b9)Cm7
Fm7BdimC7(b9)Fm7
Bbm7EdimF7(b9)Bbm7
Ebm7AdimBb7(b9)Ebm7
G#m7DdimD#7(b9)G#m7
C#m7GdimG#7(b9)C#m7
F#m7CdimC#7(b9)F#m7
Bm7FdimF#7(b9)Bm7
Em7BbdimB7(b9)Em7
Am7EbdimE7(b9)Am7
Dm7AbdimA7(b9)Dm7
Gm7C#dimD7(b9)Gm7

3) Tonalidades Menores (Im7-#Idim-IIm7(b5)-V7(b9)-Im7)

I m7#I dimII m7(b5)V 7(b9)I m7
Cm7C#dimDm7(b5)G7(b9)Cm7
Fm7F#dimGm7(b5)C7(b9)Fm7
Bbm7BdimCm7(b5)F7(b9)Bbm7
Ebm7EdimFm7(b5)Bb7(b9)Ebm7
G#m7AdimA#m7(b5)D#7(b9)G#m7
C#m7DdimD#m7(b5)G#7(b9)C#m7
F#m7GdimG#m7(b5)C#7(b9)F#m7
Bm7CdimC#m7(b5)F#7(b9)Bm7
Em7FdimF#m7(b5)B7(b9)Em7
Am7BbdimBm7(b5)E7(b9)Am7
Dm7EbdimEm7(b5)A7(b9)Dm7
Gm7AbdimAm7(b5)D7(b9)Gm7

VIII Progressões Mostrando os Acordes de Aproximação Cromática

a) tonalidades maiores

1) Tonalidades Maiores (I7M-bIIdim-IIm7)

I 7MbII dimII m7
C7MDbdimDm7
F7MGbdimGm7
Bb7MBdimCm7
Eb7MEdimFm7
Ab7MAdimBbm7
Db7MDdimEbm7
F#7MGdimG#m7
B7MCdimC#m7
E7MFdimF#m7
A7MBbdimBm7
D7MEbdimEm7
G7MAbdimAm7

2) Tonalidades Maiores (I7M-bIIIdim-IIIm7)

I 7MbIII dimIII m7
C7MEbdimEm7
F7MAbdimAm7
Bb7MDbdimDm7
Eb7MGbdimGm7
Ab7MBdimCm7
Db7MEdimFm7
F#7MAdimA#m7
B7MDdimD#m7
E7MGdimG#m7
A7MCdimC#m7
D7MFdimF#m7
G7MBbdimBm7

3) Tonalidades Maiores (I7M-bVdim-V7-I7M)

I 7MbV dimV 7I 7M
C7MGbdimG7C7M
F7MBdimC7F7M
Bb7MEdimF7Bb7M
Eb7MAdimBb7Eb7M
Ab7MDdimEb7Ab7M
Db7MGdimAb7Db7M
F#7MCdimC#7F#7M
B7MFdimF#7B7M
E7MBbdimB7E7M
A7MEbdimE7A7M
D7MAbdimA7D7M
G7MC#dimD7G7M

b) tonalidades menores

1) Tonalidades Menores (Im7-bIIdim-Im7)

I m7bII dimI m7
Cm7DbdimCm7
Fm7GbdimFm7
Bbm7BdimBbm7
Ebm7EdimEbm7
G#m7AdimG#m7
C#m7DdimC#m7
F#m7GdimF#m7
Bm7CdimBm7
Em7FdimEm7
Am7BbdimAm7
Dm7EbdimDm7
Gm7AbdimGm7

2) Tonalidades Menores (Im7-bIVdim-IVm7)

I m7bIV dimIV m7
Cm7FbdimFm7
Fm7BbbdimBbm7
Bbm7EbbdimEbm7
Ebm7AbbdimAbm7
G#m7CdimC#m7
C#m7FdimF#m7
F#m7AdimBm7
Bm7DdimEm7
Em7GdimAm7
Am7CdimDm7
Dm7FdimGm7
Gm7BbdimCm7

3) Tonalidades Menores (Im7-bVdim-V7(b9)-Im7)

I m7bV dimV 7(b9)I m7
Cm7GbdimG7(b9)Cm7
Fm7BdimC7(b9)Fm7
Bbm7EdimF7(b9)Bbm7
Ebm7AdimBb7(b9)Ebm7
G#m7DdimD#7(b9)G#m7
C#m7GdimG#7(b9)C#m7
F#m7CdimC#7(b9)F#m7
Bm7FdimF#7(b9)Bm7
Em7BbdimB7(b9)Em7
Am7EbdimE7(b9)Am7
Dm7AbdimA7(b9)Dm7
Gm7C#dimD7(b9)Gm7

IX Progressões Mostrando os Acordes de Aproximação Diatônica

a) tonalidades maiores

1) Tonalidades Maiores (I7M-IIm7-I7M)

I 7MII m7I 7M
C7MDm7C7M
F7MGm7F7M
Bb7MCm7Bb7M
Eb7MFm7Eb7M
Ab7MBbm7Ab7M
Db7MEbm7Db7M
F#7MG#m7F#7M
B7MC#m7B7M
E7MF#m7E7M
A7MBm7A7M
D7MEm7D7M
G7MAm7G7M

2) Tonalidades Maiores (I7M-IIIm7-I7M)

I 7MIII m7I 7M
C7MEm7C7M
F7MAm7F7M
Bb7MDm7Bb7M
Eb7MGm7Eb7M
Ab7MCm7Ab7M
Db7MFm7Db7M
F#7MA#m7F#7M
B7MD#m7B7M
E7MG#m7E7M
A7MC#m7A7M
D7MF#m7D7M
G7MBm7G7M

3) Tonalidades Maiores (I7M-IV7M-I7M)

I 7MIV 7MI 7M
C7MF7MC7M
F7MBb7MF7M
Bb7MEb7MBb7M
Eb7MAb7MEb7M
Ab7MDb7MAb7M
Db7MGb7MDb7M
F#7MB7MF#7M
B7ME7MB7M
E7MA7ME7M
A7MD7MA7M
D7MG7MD7M
G7MC7MG7M

4) Tonalidades Maiores (I7M-V7-I7M)

I 7MV 7I 7M
C7MG7C7M
F7MC7F7M
Bb7MF7Bb7M
Eb7MBb7Eb7M
Ab7MEb7Ab7M
Db7MAb7Db7M
F#7MC#7F#7M
B7MF#7B7M
E7MB7E7M
A7ME7A7M
D7MA7D7M
G7MD7G7M

b) tonalidades menores

1) Tonalidades Menores (Im7-IIm7(b5)-Im7)

I m7II m7(b5)I m7
Cm7Dm7(b5)Cm7
Fm7Gm7(b5)Fm7
Bbm7Cm7(b5)Bbm7
Ebm7Fm7(b5)Ebm7
G#m7A#m7(b5)G#m7
C#m7D#m7(b5)C#m7
F#m7G#m7(b5)F#m7
Bm7C#m7(b5)Bm7
Em7F#m7(b5)Em7
Am7Bm7(b5)Am7
Dm7Em7(b5)Dm7
Gm7Am7(b5)Gm7

2) Tonalidades Menores (Im7-bIII7M-Im7)

I m7bIII 7MI m7
Cm7Eb7MCm7
Fm7Ab7MFm7
Bbm7Db7MBbm7
Ebm7Gb7MEbm7
G#m7B7MG#m7
C#m7E7MC#m7
F#m7A7MF#m7
Bm7D7MBm7
Em7G7MEm7
Am7C7MAm7
Dm7F7MDm7
Gm7Bb7MGm7

3) Tonalidades Menores (Im7-IVm7-Im7)

I m7IV m7I m7
Cm7Fm7Cm7
Fm7Bbm7Fm7
Bbm7Ebm7Bbm7
Ebm7Abm7Ebm7
G#m7Dbm7G#m7
C#m7Gbm7C#m7
F#m7Bm7F#m7
Bm7Em7Bm7
Em7Am7Em7
Am7Dm7Am7
Dm7Gm7Dm7
Gm7Cm7Gm7

4) Tonalidades Menores (Im7-V7(b9)-Im7)

I m7V 7(b9)I m7
Cm7G7(b9)Cm7
Fm7C7(b9)Fm7
Bbm7F7(b9)Bbm7
Ebm7Bb7(b9)Ebm7
G#m7D#7(b9)G#m7
C#m7G#7(b9)C#m7
F#m7C#7(b9)F#m7
Bm7F#7(b9)Bm7
Em7B7(b9)Em7
Am7E7(b9)Am7
Dm7A7(b9)Dm7
Gm7D7(b9)Gm7

5) Tonalidades Menores (Im7-bVI7M-Im7)

I m7bVI 7MI m7
Cm7Ab7MCm7
Fm7Db7MFm7
Bbm7Gb7MBbm7
Ebm7B7MEbm7
G#m7E7MG#m7
C#m7A7MC#m7
F#m7D7MF#m7
Bm7G7MBm7
Em7C7MEm7
Am7F7MAm7
Dm7Bb7MDm7
Gm7Eb7MGm7

X Progressões Mostrando os Acordes Invertidos

a) tonalidades maiores

1) Tonalidades Maiores (I7M-I7M/III-IV7M)

I 7MI 7M/IIIIV 7M
C7MC7M/EF7M
F7MF7M/ABb7M
Bb7MBb7M/DEb7M
Eb7MEb7M/GAb7M
Ab7MAb7M/CDb7M
Db7MDb7M/FGb7M
F#7MF#7M/A#B7M
B7MB7M/D#E7M
E7ME7M/G#A7M
A7MA7M/C#D7M
D7MD7M/F#G7M
G7MG7M/BC7M

2) Tonalidades Maiores (I7M-V7/VII-VIm7)

I 7MV 7/VIIVI m7
C7MG7/BAm7
F7MC7/EDm7
Bb7MF7/AGm7
Eb7MBb7/DCm7
Ab7MEb7/GFm7
Db7MAb7/CBbm7
F#7MC#7/E#D#m7
B7MF#7/A#G#m7
E7MB7/D#C#m7
A7ME7/G#F#m7
D7MA7/C#Bm7
G7MD7/F#Em7

3) Tonalidades Maiores (I7M-I7M/V-IV7M)

I 7MI 7M/VIV 7M
C7MC7M/GF7M
F7MF7M/CBb7M
Bb7MBb7M/FEb7M
Eb7MEb7M/BbAb7M
Ab7MAb7M/EbDb7M
Db7MDb7M/AbGb7M
F#7MF#7M/C#B7M
B7MB7M/F#E7M
E7ME7M/BA7M
A7MA7M/ED7M
D7MD7M/AG7M
G7MG7M/DC7M

4) Tonalidades Maiores (I7M-I7M/III-IIm7-V7-I7M)

I 7MI 7M/IIIII m7V 7I 7M
C7MC7M/EDm7G7C7M
F7MF7M/AGm7C7F7M
Bb7MBb7M/DCm7F7Bb7M
Eb7MEb7M/GFm7Bb7Eb7M
Ab7MAb7M/CBbm7Eb7Ab7M
Db7MDb7M/FEbm7Ab7Db7M
F#7MF#7M/A#G#m7C#7F#7M
B7MB7M/D#C#m7F#7B7M
E7ME7M/G#F#m7B7E7M
A7MA7M/C#Bm7E7A7M
D7MD7M/F#Em7A7D7M
G7MG7M/BAm7D7G7M

5) Tonalidades Maiores (I7M-V7/II-IIm7-V7-I7M)

I 7MV 7/IIII m7V 7I 7M
C7MG7/DDm7G7C7M
F7MC7/GGm7C7F7M
Bb7MF7/CCm7F7Bb7M
Eb7MBb7/FFm7Bb7Eb7M
Ab7MEb7/BbBbm7Eb7Ab7M
Db7MAb7/EbEbm7Ab7Db7M
F#7MC#7/G#G#m7C#7F#7M
B7MF#7/C#C#m7F#7B7M
E7MB7/F#F#m7B7E7M
A7ME7/BBm7E7A7M
D7MA7/EEm7A7D7M
G7MD7/AAm7D7G7M

b) tonalidades menores

1) Tonalidades Menores (Im7-Im7/bVII-bVI7M)

I m7I m7/bVIIbVI 7M
Cm7Cm7/BbAb7M
Fm7Fm7/EbDb7M
Bbm7Bbm7/AbGb7M
Ebm7Ebm7/DbB7M
G#m7G#m7/F#E7M
C#m7C#m7/BA7M
F#m7F#m7/ED7M
Bm7Bm7/AG7M
Em7Em7/DC7M
Am7Am7/GF7M
Dm7Dm7/CBb7M
Gm7Gm7/FEb7M

2) Tonalidades Menores (Im7-V7/bVII-bVI7M)

I m7V 7/bVIIbVI 7M
Cm7G7/BbAb7M
Fm7C7/EbDb7M
Bbm7F7/AbGb7M
Ebm7Bb7/DbB7M
G#m7D#7/F#E7M
C#m7G#7/BA7M
F#m7C#7/ED7M
Bm7F#7/AG7M
Em7B7/DC7M
Am7E7/GF7M
Dm7A7/CBb7M
Gm7D7/FEb7M

3) Tonalidades Menores (Im7-Im7/V-IVm7)

I m7I m7/VIV m7
Cm7Cm7/GFm7
Fm7Fm7/CBbm7
Bbm7Bbm7/FEbm7
Ebm7Ebm7/BbAbm7
G#m7G#m7/D#Dbm7
C#m7C#m7/G#Gbm7
F#m7F#m7/C#Bm7
Bm7Bm7/F#Em7
Em7Em7/BAm7
Am7Am7/EDm7
Dm7Dm7/AGm7
Gm7Gm7/DCm7

4) Tonalidades Menores (Im7-Im7/bIII-IIm7(b5)-V7(b9)-Im7)

I m7I m7/bIIIII m7(b5)V 7(b9)I m7
Cm7Cm7/EbDm7(b5)G7(b9)Cm7
Fm7Fm7/AbGm7(b5)C7(b9)Fm7
Bbm7Bbm7/DbCm7(b5)F7(b9)Bbm7
Ebm7Ebm7/GbFm7(b5)Bb7(b9)Ebm7
G#m7G#m7/BA#m7(b5)D#7(b9)G#m7
C#m7C#m7/ED#m7(b5)G#7(b9)C#m7
F#m7F#m7/AG#m7(b5)C#7(b9)F#m7
Bm7Bm7/DC#m7(b5)F#7(b9)Bm7
Em7Em7/GF#m7(b5)B7(b9)Em7
Am7Am7/CBm7(b5)E7(b9)Am7
Dm7Dm7/FEm7(b5)A7(b9)Dm7
Gm7Gm7/BbAm7(b5)D7(b9)Gm7

5) Tonalidades Menores (Im7-V7/II-IIm7(b5)-V7(b9)-Im7)

I m7V 7/IIII m7(b5)V 7(b9)I m7
Cm7G7/DDm7(b5)G7(b9)Cm7
Fm7C7/GGm7(b5)C7(b9)Fm7
Bbm7F7/CCm7(b5)F7(b9)Bbm7
Ebm7Bb7/FFm7(b5)Bb7(b9)Ebm7
G#m7D#7/A#A#m7(b5)D#7(b9)G#m7
C#m7G#7/D#D#m7(b5)G#7(b9)C#m7
F#m7C#7/G#G#m7(b5)C#7(b9)F#m7
Bm7F#7/C#C#m7(b5)F#7(b9)Bm7
Em7B7/F#F#m7(b5)B7(b9)Em7
Am7E7/BBm7(b5)E7(b9)Am7
Dm7A7/EEm7(b5)A7(b9)Dm7
Gm7D7/AAm7(b5)D7(b9)Gm7

XI Progressões com Resoluções Deceptivas

a) tonalidades maiores

1) Tonalidades Maiores (I7M-V7-VIm7)

I 7MV 7VI m7
C7MG7Am7
F7MC7Dm7
Bb7MF7Gm7
Eb7MBb7Cm7
Ab7MEb7Fm7
Db7MAb7Bbm7
F#7MC#7D#m7
B7MF#7G#m7
E7MB7C#m7
A7ME7F#m7
D7MA7Bm7
G7MD7Em7

2) Tonalidades Maiores (I7M-V7-IV7M)

I 7MV 7IV 7M
C7MG7F7M
F7MC7Bb7M
Bb7MF7Eb7M
Eb7MBb7Ab7M
Ab7MEb7Db7M
Db7MAb7Gb7M
F#7MC#7B7M
B7MF#7E7M
E7MB7A7M
A7ME7D7M
D7MA7G7M
G7MD7C7M

3) Tonalidades Maiores (I7M-V7-IIIm7)

I 7MV 7III m7
C7MG7Em7
F7MC7Am7
Bb7MF7Dm7
Eb7MBb7Gm7
Ab7MEb7Cm7
Db7MAb7Fm7
F#7MC#7A#m7
B7MF#7D#m7
E7MB7G#m7
A7ME7C#m7
D7MA7F#m7
G7MD7Bm7

4) Tonalidades Maiores (I7M-V7-bVI7M)

I 7MV 7bVI 7M
C7MG7Ab7M
F7MC7Db7M
Bb7MF7Gb7M
Eb7MBb7B7M
Ab7MEb7E7M
Db7MAb7A7M
F#7MC#7D7M
B7MF#7G7M
E7MB7C7M
A7ME7F7M
D7MA7Bb7M
G7MD7Eb7M

5) Tonalidades Maiores (I7M-V7-bIII7M)

I 7MV 7bIII 7M
C7MG7Eb7M
F7MC7Ab7M
Bb7MF7Db7M
Eb7MBb7Gb7M
Ab7MEb7B7M
Db7MAb7E7M
F#7MC#7A7M
B7MF#7D7M
E7MB7G7M
A7ME7C7M
D7MA7F7M
G7MD7Bb7M

b) tonalidades menores

1) Tonalidades Menores (Im7-V7(b9)-bVI7M)

I m7V 7(b9)bVI 7M
Cm7G7(b9)Ab7M
Fm7C7(b9)Db7M
Bbm7F7(b9)Gb7M
Ebm7Bb7(b9)B7M
G#m7D#7(b9)E7M
C#m7G#7(b9)A7M
F#m7C#7(b9)D7M
Bm7F#7(b9)G7M
Em7B7(b9)C7M
Am7E7(b9)F7M
Dm7A7(b9)Bb7M
Gm7D7(b9)Eb7M

2) Tonalidades Menores (Im7-V7(b9)-IVm7)

I m7V 7(b9)IV m7
Cm7G7(b9)Fm7
Fm7C7(b9)Bbm7
Bbm7F7(b9)Ebm7
Ebm7Bb7(b9)Abm7
G#m7D#7(b9)Dbm7
C#m7G#7(b9)Gbm7
F#m7C#7(b9)Bm7
Bm7F#7(b9)Em7
Em7B7(b9)Am7
Am7E7(b9)Dm7
Dm7A7(b9)Gm7
Gm7D7(b9)Cm7

3) Tonalidades Menores (Im7-V7(b9)-bIII7M)

I m7V 7(b9)bIII 7M
Cm7G7(b9)Eb7M
Fm7C7(b9)Ab7M
Bbm7F7(b9)Db7M
Ebm7Bb7(b9)Gb7M
G#m7D#7(b9)B7M
C#m7G#7(b9)E7M
F#m7C#7(b9)A7M
Bm7F#7(b9)D7M
Em7B7(b9)G7M
Am7E7(b9)C7M
Dm7A7(b9)F7M
Gm7D7(b9)Bb7M

4) Tonalidades Menores (Im7-V7(b9)-IIm7(b5))

I m7V 7(b9)II m7(b5)
Cm7G7(b9)Dm7(b5)
Fm7C7(b9)Gm7(b5)
Bbm7F7(b9)Cm7(b5)
Ebm7Bb7(b9)Fm7(b5)
G#m7D#7(b9)A#m7(b5)
C#m7G#7(b9)D#m7(b5)
F#m7C#7(b9)G#m7(b5)
Bm7F#7(b9)C#m7(b5)
Em7B7(b9)F#m7(b5)
Am7E7(b9)Bm7(b5)
Dm7A7(b9)Em7(b5)
Gm7D7(b9)Am7(b5)

XII Turnarounds

a) tonalidades maiores

1) Tonalidades Maiores (I7M-VIm7-IIm7-V7)

I 7MVI m7II m7V 7
C7MAm7Dm7G7
F7MDm7Gm7C7
Bb7MGm7Cm7F7
Eb7MCm7Fm7Bb7
Ab7MFm7Bbm7Eb7
Db7MBbm7Ebm7Ab7
F#7MD#m7G#m7C#7
B7MG#m7C#m7F#7
E7MC#m7F#m7B7
A7MF#m7Bm7E7
D7MBm7Em7A7
G7MEm7Am7D7

2) Tonalidades Maiores (I7M-VI7-IIm7-V7)

I 7MVI 7II m7V 7
C7MA7Dm7G7
F7MD7Gm7C7
Bb7MG7Cm7F7
Eb7MC7Fm7Bb7
Ab7MF7Bbm7Eb7
Db7MBb7Ebm7Ab7
F#7MD#7G#m7C#7
B7MG#7C#m7F#7
E7MC#7F#m7B7
A7MF#7Bm7E7
D7MB7Em7A7
G7ME7Am7D7

3) Tonalidades Maiores (I7M-bIIIdim-IIm7-V7)

I 7MbIII dimII m7V 7
C7MEbdimDm7G7
F7MAbdimGm7C7
Bb7MDbdimCm7F7
Eb7MGbdimFm7Bb7
Ab7MBdimBbm7Eb7
Db7MEdimEbm7Ab7
F#7MAdimG#m7C#7
B7MDdimC#m7F#7
E7MGdimF#m7B7
A7MCdimBm7E7
D7MFdimEm7A7
G7MBbdimAm7D7

4) Tonalidades Maiores (IIIm7-VIm7-IIm7-V7)

III m7VI m7II m7V 7
Em7Am7Dm7G7
Am7Dm7Gm7C7
Dm7Gm7Cm7F7
Gm7Cm7Fm7Bb7
Cm7Fm7Bbm7Eb7
Fm7Bbm7Ebm7Ab7
A#m7D#m7G#m7C#7
D#m7G#m7C#m7F#7
G#m7C#m7F#m7B7
C#m7F#m7Bm7E7
F#m7Bm7Em7A7
Bm7Em7Am7D7

5) Tonalidades Maiores (IIIm7-VI7-IIm7-V7)

III m7VI 7II m7V 7
Em7A7Dm7G7
Am7D7Gm7C7
Dm7G7Cm7F7
Gm7C7Fm7Bb7
Cm7F7Bbm7Eb7
Fm7Bb7Ebm7Ab7
A#m7D#7G#m7C#7
D#m7G#7C#m7F#7
G#m7C#7F#m7B7
C#m7F#7Bm7E7
F#m7B7Em7A7
Bm7E7Am7D7

6) Tonalidades Maiores (I7M-bIII7-IIm7-bII7)

I 7MbIII 7II m7bII 7
C7MEb7Dm7Db7
F7MAb7Gm7Gb7
Bb7MDb7Cm7B7
Eb7MGb7Fm7E7
Ab7MB7Bbm7A7
Db7ME7Ebm7D7
F#7MA7G#m7G7
B7MD7C#m7C7
E7MG7F#m7F7
A7MC7Bm7Bb7
D7MF7Em7Eb7
G7MBb7Am7Ab7

b) tonalidades menores

1) Tonalidades Menores (Im7-VIm7(b5)-IIm7(b5)-V7(b9))

I m7VI m7(b5)II m7(b5)V 7(b9)
Cm7Am7(b5)Dm7(b5)G7(b9)
Fm7Dm7(b5)Gm7(b5)C7(b9)
Bbm7Gm7(b5)Cm7(b5)F7(b9)
Ebm7Cm7(b5)Fm7(b5)Bb7(b9)
G#m7Fm7(b5)A#m7(b5)D#7(b9)
C#m7A#m7(b5)D#m7(b5)G#7(b9)
F#m7D#m7(b5)G#m7(b5)C#7(b9)
Bm7G#m7(b5)C#m7(b5)F#7(b9)
Em7C#m7(b5)F#m7(b5)B7(b9)
Am7F#m7(b5)Bm7(b5)E7(b9)
Dm7Bm7(b5)Em7(b5)A7(b9)
Gm7Em7(b5)Am7(b5)D7(b9)

2) Tonalidades Menores (Im7-bVI7M-IIm7(b5)-V7(b9))

I m7bVI 7MII m7(b5)V 7(b9)
Cm7Ab7MDm7(b5)G7(b9)
Fm7Db7MGm7(b5)C7(b9)
Bbm7Gb7MCm7(b5)F7(b9)
Ebm7B7MFm7(b5)Bb7(b9)
G#m7E7MA#m7(b5)D#7(b9)
C#m7A7MD#m7(b5)G#7(b9)
F#m7D7MG#m7(b5)C#7(b9)
Bm7G7MC#m7(b5)F#7(b9)
Em7C7MF#m7(b5)B7(b9)
Am7F7MBm7(b5)E7(b9)
Dm7Bb7MEm7(b5)A7(b9)
Gm7Eb7MAm7(b5)D7(b9)

3) Tonalidades Menores (Im7-bVI7-IIm7(b5)-V7(b9))

I m7bVI 7II m7(b5)V 7(b9)
Cm7Ab7Dm7(b5)G7(b9)
Fm7Db7Gm7(b5)C7(b9)
Bbm7Gb7Cm7(b5)F7(b9)
Ebm7B7Fm7(b5)Bb7(b9)
G#m7E7A#m7(b5)D#7(b9)
C#m7A7D#m7(b5)G#7(b9)
F#m7D7G#m7(b5)C#7(b9)
Bm7G7C#m7(b5)F#7(b9)
Em7C7F#m7(b5)B7(b9)
Am7F7Bm7(b5)E7(b9)
Dm7Bb7Em7(b5)A7(b9)
Gm7Eb7Am7(b5)D7(b9)

4) Tonalidades Menores (bIII7M-VIm7(b5)-IIm7(b5)-V7(b9))

bIII 7MVI m7(b5)II m7(b5)V 7(b9)
Eb7MAm7(b5)Dm7(b5)G7(b9)
Ab7MDm7(b5)Gm7(b5)C7(b9)
Db7MGm7(b5)Cm7(b5)F7(b9)
Gb7MCm7(b5)Fm7(b5)Bb7(b9)
B7MFm7(b5)A#m7(b5)D#7(b9)
E7MA#m7(b5)D#m7(b5)G#7(b9)
A7MD#m7(b5)G#m7(b5)C#7(b9)
D7MG#m7(b5)C#m7(b5)F#7(b9)
G7MC#m7(b5)F#m7(b5)B7(b9)
C7MF#m7(b5)Bm7(b5)E7(b9)
F7MBm7(b5)Em7(b5)A7(b9)
Bb7MEm7(b5)Am7(b5)D7(b9)

5) Tonalidades Menores (Im7-bIII7M-bVI7M-V7(b9))

I m7bIII 7MbVI 7MV 7(b9)
Cm7Eb7MAb7MG7(b9)
Fm7Ab7MDb7MC7(b9)
Bbm7Db7MGb7MF7(b9)
Ebm7Gb7MB7MBb7(b9)
G#m7B7ME7MD#7(b9)
C#m7E7MA7MG#7(b9)
F#m7A7MD7MC#7(b9)
Bm7D7MG7MF#7(b9)
Em7G7MC7MB7(b9)
Am7C7MF7ME7(b9)
Dm7F7MBb7MA7(b9)
Gm7Bb7MEb7MD7(b9)

6) Tonalidades Menores (Im7-bIII7-IIm7(b5)-bII7)

I m7bIII 7II m7(b5)bII 7
Cm7Eb7Dm7(b5)Db7
Fm7Ab7Gm7(b5)Gb7
Bbm7Db7Cm7(b5)B7
Ebm7Gb7Fm7(b5)E7
G#m7B7A#m7(b5)A7
C#m7E7D#m7(b5)D7
F#m7A7G#m7(b5)G7
Bm7D7C#m7(b5)C7
Em7G7F#m7(b5)F7
Am7C7Bm7(b5)Bb7
Dm7F7Em7(b5)Eb7
Gm7Bb7Am7(b5)Ab7

Observação do Professor: Estude este tópico com atenção. A compreensão teórica é fundamental para a prática.

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